After the breakup of The Beatles in 1970, George Harrison established himself as bonafide musical workforce, mainly with the massive success of his debut album All Thing Must Pass, his charity concert and album The Concert for Bangladesh and its follow up Living In The Material World. The second half of the 70's saw George struggling personally, artistically and commercially to sustain his career and after hits and misses, he decided to withdraw from the music business in the early 80's. After his 1987 smash hit album Cloud Nine, George went back to the spotlight as a top selling artist, enjoying success working with Bob Dylan, Tom Petty, Roy Orbison and Jeff Lynne as The Traveling Wilburys and going on tour with Eric Clapton in 1991.
After this he went back to his quiet life and sadly battled with cancer for the last part of the 90's, even surviving a killing attempt, until his passing in 2001. He left a legacy of inspiring work that showed his struggle between the spiritual and material world. A duality that gave us beautiful songs that are still heard and cherished all over the world.
The criteria we used for this list other than songwriting and performance quality is the albums impact, longevity and legacy. As we have done with our other compilations, we have included live albums, as we believe these are valid demonstrations of his work.
For example, a live performance is as good as a studio recording. It shows an important side of the artist. We believe the performance of his craft is as important as his creativity.
George Harrison in 1974.
George Harrison's third solo album was written and recorded in the midst of a very stressful period in Harrison's life. From the middle of 1973, with his marriage to Pattie Boyd in the rocks, Harrison immersed himself in helping two acts he would eventually sign to his new record label, Dark Horse Records − Ravi Shankar and an unknown group called Splinter. To add up, business issues related to the Beatles' company Apple Corps were also coming to a head during 1973–74, when Harrison, John Lennon and Ringo Starr became embroiled in litigation with former manager Allen Klein.
To ease the pressure, Harrison was drinking heavily and had returned to his drug-taking ways of the 1960's. His personal life was a complete chaos, a love affair soap opera involving his wife Patty Boyd, Ron Wood of the Faces, his friend Eric Clapton, Ringo Starr's wife Maureen Starkey and Wood's wife Krissy Wood.
In January 1974, Harrison escaped his domestic problems by visiting India for two months, where Harrison and Shankar forged a plan for Harrison to sponsor an Indian classical-music concert tour of Europe, known as Ravi Shankar's Music Festival from India, and for Harrison and Shankar to then tour North America together at the end of the year. By May, Harrison had agreed distribution terms with A&M Records and was able to formally launch Dark Horse Records.
Physically and mentally exhausted. Harrison started work on his follow-up solo album. By the end of 1974, Harrison's voice suffered the most, and by the time he started his tour in November, it was almost gone. Nevertheless and despite all the pressure, stress and physical exhaustion he managed to put out a great album in which he tells his story of heartache, deception, and his struggle between spirituality and earthly desires. A personal album with impeccable musical performances.
Highlights: Hari's on Tour (Express)", "Simply Shady", "So Sad", "Māya Love", "Far East Man", "It Is 'He' (Jai Sri Krishna)"
The cover shows a 1956 Liverpool Institute high-school photo and a thirteen-year-old Harrison at top
Somewhere in England came in a time when Harrison was becoming increasingly frustrated with the music industry. He was working on the album throughout 1980 reworking the material on it to please his new distributor, Warner Bros. Long time Beatle bandmate Ringo Starr cant to George's studio to work on new songs for his upcoming album. Among those where the track "All Those years Ago". The song was left unfinished and after the tragic event of John Lennon's murder, George rewrote the lyrics to pay tribute to Lennon, called Paul and Linda McCartney, as well as Denny Laine, and using Ringo's already recorded drum track, issued the song as part of his new album. In summer 1981, Somewhere in England was published with good response and acceptance.
All across the album you can feel Harrison's vision of the spirituality he has given us since his mid-60's contact with Eastern philosophies and religion.
Highlights: All Those Years Ago, Unconsciousness Rules, Life Itself, Writing on The Wall.
The album includes the hit single All Those Years Ago, in which George paid tribute to John Lennon.
1974 was a tough year for George Harrison. His marriage to Pattie Boyd crumbled, business and legal litigations, an ill-fated concert tour, health problems and a lukewarm reception to his recent album Dark Horse Tok a toll on George Harrison personal and public persona.
In 1975 George comes back with Extra Texture (Read All About It), collaborating with Gary Wright, David Foster, Jim Keltner, Jesse Ed Davis, Leon Russell and longtime friend Billy Preston, among others. Taking a different approach, Extra Texture lacks the spiritual message of prior albums (and subsequent albums) and incorporate elements of soul music, signaling a further departure from the rock and folk-rock sound of Harrison's popular early-1970s work.
Although bad reviews and critics motived Harrison to turn the page of the disastrous 1974, it really wounded him. 1975 was no different as fans and critics expected a glorious return from the "quiet Beatle". As its predecessor "Dark Horse", the album's songs carry George's bitterness, frustrations and depressive mood, although the musicianship and composition is flawless, giving the album the honesty that makes it one of George Harrison's best albums.
Highlights:
You, This Guitar (Can't Keep from Crying), The Answer's At The End, Ooh Baby (You Know That I Love You), Can't Stop Thinking About You, Tired Of Midnight Blue
George Harrison extra texture album cover. Beatles vinyl record best George Harrison album Preston
George Harrison's eighth studio album, simply titled "George Harrison", was written and recorded through much of 1978, a period of reconstruction for Harrison after his mid-70's downfall, (both personal and professionally), and a year in which he married Olivia Arias and became a father for the first time. Harrison wrote several new songs in Hawaii, among them "Blow Away" and revived and all Beatles track "Not Guilty", which he originally recorded in 1968. Again, George was joined by an all star cast of musicians, including Steve Winwood, Willie Weeks and Andy Newmark, with Eric Clapton and Gary Wright making guest appearances.
The album was well-received by music critics on release, many citing it among the artist's best works. The light-hearted feel and positiveness in George's life comes out in a soft-rock and pop atmosphere that was absent in previous albums.
Highlights: Love Comes to Everyone, Here Comes the Moon, Blow Away, Dark Sweet Lady, Your Love Is Forever, Soft Touch, If You Believe.
George Harrison album cover. Beatles vinyl record best George Harrison album Eric Clapton
With the success of George Harrison's Cloud Nine and The Traveling Wilburys, George agreed to Eric Clapton's plea to perform together in a concert tour of Japan. Although mindful of his troubled 1974 North American tour for Dark Horse, Harrison performed a series of well-received shows in December 1991, which also featured a short set of Clapton's songs. The experience proved to be an enjoyable one for Harrison, and a double album, Live in Japan was issued in July 1992, and shows George Harrison in top form performing classics from The Beatles and his solo career.
For the most part, critics reaction was positive. It is a great live album for someone who refuse to do live shows for most of his career. His voice was in good shape and his solos were impeccable. Eric Clapton (and his band) provided the perfect backing to make George feel confident and Clapton's guitar playing take this to the stratosphere. To add up, it's always a treat to listen to live versions of "Old Brown Shoe", "Taxman", "All Those Years Ago" and so many others. For some unknown reasons the album was not a great seller and there wasn't much interest among fans and the general public at the time.
Even though it is not a studio album, his live performances were worthy of placing Live in Japan as one of George Harrison's best albums.
Highlights: the whole album!
LIJ was Harrison's second official live album release, after 1971's The Concert for Bangladesh.
The first Rock music's all star charity concert, years before Live Aid, Farm Aid, USA fro Africa and many others. George Harrison organized this concert after being made aware by friend and musician Ravi Shankar of the gravity of the situation of the homeless Bengali refugees of the Bangladesh Liberation War, in what was then known as East Pakistan. Riding high with the recent success of his All Things Must Pass triple album, Harrison then headlined the all-star UNICEF benefit concerts, backed by a 24-piece band of musicians and singers, on Sunday, 1 August 1971. The star-studded line up include Ringo Starr, Klaus Voorman, Leon Russell, members of Badfinger, Jim Keltner, Jesse Ed Davis, Billy Preston, Eric Clapton and Bob Dylan, among others.
The concerts were highly successful in raising international awareness of the plight of the refugees and the media lavished praise on Harrison as an ambassador for rock altruism. George Harrison took Phil Spector's Wall of sound technique (Spector produced the album and supervised the live recordings) and applied it to a live setting. There were two separate concerts and the album was compiled from both performances. The result is an amazing snapshot of music history and a confident, George Harrison whom definitely shined throughout the concert and established himself as a top performer.
A massive triple album with outstanding performances by the, until then, "quiet Beatle".
Highlights: Wah-Wah, My Sweet Lord, That's the Way God Planned It (Billy Preston), While My Guitar Gently Weeps, Here Comes the Sun, Blowin' in the Wind (Bob Dylan) , Something, Bangla Desh.
The concert set the model for future multi-artist rock benefits such as Live Aid.
George Harrison's final words to the world came in the form of "Brainwashed", his last album. Released posthumously on 18 November 2002, almost a year after his death, the album presents George Harrison's reflections on his life. Although the tracks on the album were recorded as early as 1988, the album was completed almost a year after by George's son Dhani and Jeff Lynne. Work was delayed since the beginning by business problems with Harrison's former manager, Denis O'Brien, as well as his work with the Traveling Wilburys, Ravi Shankar, and his work on The Beatles Anthology. After recuperating from being attacked in his home on 30 December 1999, Harrison focused on finishing the album, simultaneously sharing his ideas in detail with his son Dhani, as Dhani helped to complete the album after his father’s death.
Harrison underwent surgery to remove a cancerous growth from one of his lungs, and radiotherapy for lung cancer which had metastasized to his brain. Once he realised it was an irreversible situation, he worked further on the album's songs – in conjunction with Dhani and his old collaborator Jeff Lynne – until he was unable to do more.
The album shows George musically sound and mature. Having come to terms with his past with The Beatles, the tumultuous 70's, the cruelty of the music industry and fame and embracing his imminent death. Beautiful album with lyrics that will make you miss George even more.
In 2004, Brainwashed's "Marwa Blues" won the Grammy Award for Best Pop Instrumental Performance. The album was nominated for Best Pop Vocal Album, as well as Best Male Pop Vocal Performance for the track "Any Road".
Highlights: Any Road, P2 Vatican Blues (Last Saturday Night), Pisces Fish, Looking for My Life, Stuck Inside a Cloud, Run So Far
George Harrison brainwashed album cover. Beatles vinyl record best George Harrison album Jeff Lynne
After the massive success of George Harrison's debut solo album All Things Must Pass, and the historical Concert For Bangladesh, the quiet Beatle returned in 1973 with its studio follow-up Living In The Material World, becoming Harrison's second number 1 album in the United States, Canada and Australia and reaching number 2 in Britain. Living in the Material World is notable for the uncompromising lyrical content of its songs, reflecting Harrison's struggle for spiritual enlightenment against his status as a Rock superstar. In contrast with All Things Must Pass, Harrison scaled down the production, using a core group of musicians comprising Nicky Hopkins, Gary Wright, Klaus Voormann and Jim Keltner.
Although George was riding high with musical confidence, the lyrics on Living in the Material World found him shocked by the overwhelming success he recently found and wondering his place in it. His vocal performances are outstanding here and all guitars were done by himself.
Highlights:
Give Me Love (Give Me Peace on Earth), Sue Me Sue You Blues, The Light That Has Lighted the World, Don't Let Me Wait Too Long, Living in the Material World, Be Here Now, The Day the World Gets 'Round, That Is All
Harrison's material for Living in the Material World was drawn from the 1971–72 period.
After being disillusioned with the music business after his 1982 Gone Troppo album, George Harrison took a break from the music business to pursue other interests like film producing and gardening. Feeling the need to make some music, he got together with Jeff Lynne and in 1987, carne up with Cloud Nine. The album re-established Harrison as a critically acclaimed and commercially significant recording artist and unfortunately was Harrison's last solo studio album released during his lifetime, as his next studio album, Brainwashed, was released in 2002, almost a year after his death.
Recharged, George and Lynne recorded backing tracks for seventeen songs between January and March 1987, completing it in August 1987. Other artists involved in the sessions included his trusty drummers Jim Keltner and Ringo Starr, Eric Clapton on guitar and both Gary Wright and Elton John on piano. With new-found enthusiasm, Harrison actively promoted the album.
Harrison's cover of Rudy Clark's "Got My Mind Set on You" quickly reached #1 in the United States and #2 in the United Kingdom, opening the door to the highly anticipated album, which was welcome with favorable critical reception. Rolling Stone magazine described it as "an expertly crafted, endlessly infectious record that constitutes Harrison's best album since 1970s inspired All Things Must Pass".
And we agree!! George's guitar playing is bluesy, edgy, and yet subtle and delicate when it needs to be. Eric Clapton provides the perfect complement to George's playing. His "Beatlesque" When We Was Fab, the infectious Devil's Radio and Got My Mind Set On You and the delicate eastern-influence Breath From Heaven are only glimpses of a great album that puts Cloud Nine not only as one of George Harrison's best album but one of the best albums made by any of the former Beatle!!
The cover shows Harrison's first American-made guitar, a 1957 Gretsch 6128 that he bought in 1961.
Heralded by many as the best solo album made by any of The Beatles.
The breakup of The Beatles gave George Harrison the space needed for him to grow and develop both personally and artistically. In the second half and most predominately in 1968 and 1969, George Harrison felt his presence in The Beatles was merely a supporting role to bandmates John Lennon and Paul McCartney. Harrison's musical relationship with artists such as Bob Dylan, The Band, Eric Clapton, Jack Bruce, Leon Russell and others, gave him a glimpse of what life outside The Beatles (musically speaking) could be. In January 1969, when the band was working on the "Get Back" project, his songs were often ignored by Paul McCartney and John Lennon, even a discussion with Paul led to George quitting The Beatles for two weeks.
When the world finally heard George Harrison's All Things Must Pass, he was no longer the quiet Beatle but a true artist, performer and musician. All Things Must Pass introduced Harrison's signature slide guitar sound and the spiritual themes present throughout his subsequent solo work. It includes the hit singles My Sweet Lord and What Is Life, as well as songs such as Isn't It a Pity and the title track which, incredibly, were rejected for inclusion on releases by the Beatles.
George contacted Phil Spector, whom at the time was mixing and working on The Beatles' Let It Be to co-produce the album, adding his famous "wall of sound" production technique to George's compositions. Among the large cast of backing musicians were Eric Clapton, members of Delaney & Bonnie's Friends band, Ringo Starr, Gary Wright, Billy Preston, Klaus Voormann, Badfinger and many others.
All Things Must Pass was critically and commercially successful on release, with long stays at number one on charts worldwide. Critics praised the album and its creator as the "rock music equivalent of the shock felt by pre-war moviegoers when Garbo first opened her mouth in a talkie: Garbo talks! – Harrison is free!". Other reviews at the time said "ATMP makes far and away the best listening, perhaps because it is the one which most nearly continues the tradition they (The Beatles) began eight years ago". "Expressive, classically executed personal statement ... one of the outstanding rock albums in years". The album caused such a positive reaction that one critic even said that Harrison was "the real genius behind the Beatles".
No doubt in terms of musical quality, songwriting, production and performance, All Things Must Pass was ahead of other post Beatles releases by his former bandmates way into the early 70's. George Harrison's achievements, both commercially and artistically were never surpassed, or even duplicated, with any of his following album releases.
All Things Must Pass is truly George Harrison's best album!!!
The album features lyrics focusing on the failure of friendships within the Beatles.
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